The previous posts avoided spoilers and talked about HBO’s Westworld in general terms of its themes and characters — stuff that is apparent just from the trailers and basic setup. This post isn’t like that! Do not read this post unless you’ve seen all of season one!
Or unless you really like spoilers or just don’t care about the series. But if you do, you should trust me on this: You do not want this spoiled! It may even be all the better if you avoid any interweb discussion … the fans really did figure out some of the secrets before their big reveal. (On the other hand, the show’s creators have made it clear the truth was always in plain view. And so it was.)
Here are my questions and observations about the last episode and the season as a whole. I think we all have a few questions…
In the previous post I wrote about some of the general themes I saw in HBO’s Westworld. Such big picture topics are inherent in the basic description of the series — intelligent robots used as playthings — and don’t require spoiling plot points or character revelations. Everything I wrote about in the last post is part of the general context of the show.
In this post I want to look more closely at things that struck me in particular, but it requires exposing certain aspects of character or implementation that could count as spoilers if one is very strictly trying to avoid knowing anything about the show.
But if you have some idea about what’s going on, maybe just from trailers, this post shouldn’t spoil anything for you. I won’t give away any of the big secrets or reveals.
Way back in 1958, science fiction author and critic Theodore Sturgeon coined the term Sturgeon’s Revelation. Which is that “90% of film, literature, consumer goods, etc. is crap.” This became known as Sturgeon’s Law while Theodore’s actual law (from a 1956 story) — that “nothing is always absolutely so” — is forgotten. (Philosopher Daniel Dennett expanded the Law to say that 90% of everything is crap!)
I’ve always found this applies especially to science fiction TV. And in this Anno Stella Bella era, there is a lot of SF TV, so naturally there is a lot of crap. (Honestly, I don’t even pay attention to the SyFy channel anymore.)
Happily: HBO’s Westworld … not crap! In fact, it’s a gem that offers many facets worthy of (non-spoiler) thought and discussion…
Blessed be the Force!
As long as I’ve been picking my own reading material, a huge fraction of it has science fiction. I’ve been doing that picking since about 1963-ish, so let’s just call it 50+ years. Up until around the mid 1990s, it would have been hard to name a science fiction book or movie I didn’t know (and in many cases, own).
But somewhere near the end of the last century science fiction became a full-fledged mass-produced commodity that through sheer over-exposure became dull and uninteresting. In a way, I blame George Lucas and Star Wars, so I split SF into two eras:
Before Lucas (B.L.) and Anno Stella Bella (ASB).
Last week we took a look at a simple computer software model of a human brain. (We discovered that it was big, requiring dozens of petabytes!) One goal of such models is replicating consciousness — a human mind. That can involve creating a (potentially superior) new mind or uploading an existing human mind (a very different goal).
Now that we’ve explored the basics of calculation, code (software), computers, and (computer software) models, we’re ready to explore what’s involved in attempting to model a (human) mind.
I’m dividing the possibilities into four basic levels.
Science Fiction — or rather Speculative Fiction — has the general quality that it contains all other fiction genres. There is mystery and detective science fiction. There is romance (and sexual) science fiction. Action? Horror? Psychological thriller? Drama and pathos? Allegory? Westerns? Science fiction has them all and more.
In a sense, SF is just a property that fiction can have. I’ve tried to explain what I think that property is. I also took a stab at separating science fiction from fantasy. Now that thread resumes to explore the idea of SF hardness.
But first we return to and start with…
Nearly all science fiction fans share a meme about the number 42. This meme comes from the Douglas Adams book, The Hitchhiker’s Guide to the Galaxy, one of the great “modern classics” (an apparent oxymoron, but it is just shorthand for ‘a recent work that is so good that someday it will be counted among the classics’). The book is the first in the “increasingly misnamed” trilogy that shares its name.
The trilogy is “increasingly misnamed” in that it now has five books. The joke is that, in science fiction, trilogies are as common as aliens, spaceships and time travel. In fact, depending on the context, there are a two trilogies that have earned the sobriquet, “The Trilogy.” (Issac Asimov‘s Foundation series in the context of pure SF; and, of course, J.R.R. Tolkien‘s Lord of the Rings books in the context of SF + fantasy.)
In any event, the number, 42, is the answer to the question.
In my first post I mentioned René Descartes and his seminal statement, “Cogito ergo sum.” I think, therefore I am. Because this statement and the ideas that spring from it lie at the heart of my philosophy and interests, it is a fitting topic for my second post. I also mentioned beginnings; these beginning posts explore such core topics as form my core and inform my mind.
And mind is the topic at hand. “I think, therefore I am,” concerns one of the most central, most personal, most mysterious, most fantastic aspects of our existence. It concerns something each of us shares every waking moment, but which remains–thus far–completely unknown.
That every moment mystery is that we think and we experience. Each of us has a voice inside their head; an «I» that is us. It’s the driver of the car that says, “I’m hungry,” or “I’m going to the library.” It’s the sound track running in your head right now as you read this. It’s the basis of your thoughts and experience.
We have no idea what it actually is.