I watched the first season of The Feed (2019), a British SF-horror series on Amazon Prime. I can’t say I was terribly whelmed by it. By the time I watched the last two episodes (of ten) I was mostly kinda over it. It has some neat ideas, but far too many tropes and cliches.
Full disclosure, I am not generally much of a horror fan. As with fantasy, I need a bit of something special — original — in my horror (like alien face-huggers or alien trophy hunters). Ordinary horror stories (especially outright slasher flicks), or, for that matter, ordinary Medieval magic fantasy stories, just don’t make the cut.
The problem I had with The Feed was finding it pretty ordinary.
Synchronicity pops up a lot in my life. Between working on drafts about my disappointment with a science fiction series, I took a break to read my news feed and saw an article asking why so many popular SF TV series are so awful. The article made a number of points that resonated a lot with me.
The article calls out Westworld (season three), Star Trek: Picard, and Devs, as examples of awful science fiction television, which seems to match what I’ve read. By which I mean, just about everything I’ve heard, both negative and positive, doesn’t incline me towards these shows (I might check out Devs at some point).
Unfortunately, I don’t think the author answered the question.
My last post was about my disappointment in the science fiction novel series, The Expanse, starting with book four. As it turns out, for me, that’s just the start of my disengagement — it goes seriously downhill from there. To be clear I’m speaking strictly in terms of my personal taste. As the saying goes, ‘One person’s mead is another person’s poison’ (not that I’m a fan of mead).
Given the steep downward trend, book four seems better in comparison. While I like it much less than the first three, I like it much more than what follows. It has some good protomolecule bits, and frontier colony stories are pretty standard science fiction fare.
But I’m particularly struck by what the TV version changed and added.
I feel like a jilted lover. Or a very disappointed one. I found what seemed a delightful bit of science fiction color in an otherwise increasingly grey and dismal world. I let myself get attached (despite a few alarm bells going off in my head). I thought I’d found something truly worthwhile — something to invest myself in.
And it seemed really good at first. There was all the excitement of exploring something new and interesting. But after that great start, there came a most unwelcome left turn into a stinking swamp I want no part of.
This isn’t a Sci-Fi Saturday post or a TV Tuesday post… this is a spleen vent.
If you know me at all, you know I was already a science fiction fan when Star Trek began. (It’s a rare occasion I get in on the ground floor of something.) I adored Kirk and crew. It took some episodes, but I came to love Picard and crew even more. The Trek story still unfolds, but I left that fold around the fifty-year mark. (Or rather, Trek left me.)
More recently (the rebooted) Doctor Who became my favorite SF TV series, but it’s starting to look like it won’t have the staying power that Trek did. I haven’t been as engaged the last many seasons, and the shift to the 13th Doctor hasn’t worked for me.
Currently I’d have to say my favorite SF TV series is The Expanse.
Sunday I binged through all eight episodes of Solar Opposites, a new cartoon from Justin Roiland and Mike McMahan. It was originally created for Fox, but shelved. Now it’s on Hulu, released just last Friday (May 8).
Roiland is well known to Rick and Morty fans as, not only half the creative team (along with Dan Harmon), but as many of the voices, in particular both of the titular main characters. (Apparently considerable drinking and ad-libbing goes on during voice recording.) In Solar Opposites, Roiland restricts himself to just one main character.
If you like Rick and Morty, you’ll probably like Solar Opposites.
Here’s yet another unplanned post, mostly because there was something important I forgot to mention yesterday, but also because I started watching three different Netflix shows (or maybe call it two-and-a-half), and all three are fit for a Sci-Fi Saturday post, so here I am again.
I dither about three because one of them was wasn’t new, it was season two I started of Siempre Bruja. But I hadn’t yet seen any of Lost in Space or the new Chilling Adventures of Sabrina. I’ve been suspicious of the former, and the latter isn’t quite my cup of tea on several counts.
But first you should know about (Your) CloudLibrary!
I’ll get to the delightful alien eyes later, but I want to start this Sci-Fi Saturday post with a different delight: A Trick of Light, a novel by Stan Lee. Yeah, that Stan Lee. Along with Kat Rosenfield. And no, there are no pictures, comic or otherwise.
What is there is a fast, breezy, comic-book-like story about a guy and a gal and some interesting stuff that happens to them. I read the whole thing in one long afternoon, night, and into the AM, because it was hard to put down. “Just one more chapter” grew to reading the whole thing. It was a lot of fun.
There is also an interesting but somewhat less delightful book (a trilogy, actually) to tell you about. I have some definite mixed feeling about the author and his books.
The Winter Solstice was at 04:19 GMT on December 22. For me, in Minnesota, it happened at 10:19 PM CST last night. And today, the first official day of winter, it’s sunny and currently 41° (F) out.
At least we got snow for Christmas. We don’t always.
For Sci-Fi Saturday I thought I’d mention how much I’ve enjoyed some recent Netflix original productions about robots (the very intelligent kind). As usual, I’m a little late to the party. For most people with Netflix, the post’s title probably immediately evoked either or both shows.
I’m speaking, of course, of Love, Death & Robots, an anthology of animated shorts, and of I Am Mother, a movie about a robot raising a child (humanity’s last best hope). I was delighted by the former immediately, but with the latter it wasn’t until I knew the entire story that my opinion changed from poor to good. Through most of the movie it seemed to be a rather flawed story I wasn’t sure I liked.
But the ending put all the plot holes in much better light!