It’s been a long time since I’ve written a Sci-Fi Saturday post. (I didn’t post at all in 2017, so it’s been a long time since I’ve written a lot of things.) But last night I watched Mr. Nobody (2009), a slightly surreal science fiction film that I found hugely engaging and affecting, and it inspired me to write about it.
The truth is that Mr. Nobody isn’t actually surrealism — it does have a concrete narrative, but it’s a jumbled, imaginary, and fantastic one. That can sometimes be the case with really good science fiction. A common trick SF authors play is keeping you guessing until they reveal their mysteries.
Mr. Nobody isn’t particularly mysterious, but it does require that you pay close attention!
The previous posts avoided spoilers and talked about HBO’s Westworld in general terms of its themes and characters — stuff that is apparent just from the trailers and basic setup. This post isn’t like that! Do not read this post unless you’ve seen all of season one!
Or unless you really like spoilers or just don’t care about the series. But if you do, you should trust me on this: You do not want this spoiled! It may even be all the better if you avoid any interweb discussion … the fans really did figure out some of the secrets before their big reveal. (On the other hand, the show’s creators have made it clear the truth was always in plain view. And so it was.)
Here are my questions and observations about the last episode and the season as a whole. I think we all have a few questions…
In the previous post I wrote about some of the general themes I saw in HBO’s Westworld. Such big picture topics are inherent in the basic description of the series — intelligent robots used as playthings — and don’t require spoiling plot points or character revelations. Everything I wrote about in the last post is part of the general context of the show.
In this post I want to look more closely at things that struck me in particular, but it requires exposing certain aspects of character or implementation that could count as spoilers if one is very strictly trying to avoid knowing anything about the show.
But if you have some idea about what’s going on, maybe just from trailers, this post shouldn’t spoil anything for you. I won’t give away any of the big secrets or reveals.
Way back in 1958, science fiction author and critic Theodore Sturgeon coined the term Sturgeon’s Revelation. Which is that “90% of film, literature, consumer goods, etc. is crap.” This became known as Sturgeon’s Law while Theodore’s actual law (from a 1956 story) — that “nothing is always absolutely so” — is forgotten. (Philosopher Daniel Dennett expanded the Law to say that 90% of everything is crap!)
I’ve always found this applies especially to science fiction TV. And in this Anno Stella Bella era, there is a lot of SF TV, so naturally there is a lot of crap. (Honestly, I don’t even pay attention to the SyFy channel anymore.)
Happily: HBO’s Westworld … not crap! In fact, it’s a gem that offers many facets worthy of (non-spoiler) thought and discussion…
So,… I finally saw the most recent Star Wars movie the other night (it has already made its way to cable; meanwhile, I’m still waiting for Interstellar and Ex Machina to show up). Those who know my value system with regard to science fiction, with regard to movies, and especially with regard to science fiction movies, warned me I that I probably wouldn’t like it very much.
But I already knew that was likely just because of who directed it (same guy who nailed the Star Trek coffin shut), so I approached watching it with very low expectations and without any oxen to gore (since I was never really a fan and never really got into the characters or story).
And even so I still really disliked it. A whole bunch.
You read the title correctly, dear Reader, this is, indeed, a review of a movie that came out 22 years ago. (And tomorrow I plan to post a review of a movie from 25 years ago!) This blog of late is operating in a personal archeology vein (or would vain be the better word in this case?) as well as a sociopolitical one. Remembrances and Rants R me!
The two reviews this weekend are very Yang-Yin in nature: I really hated, Stargate and really loved Grand Canyon (in fact, it’s one of my all-time Fave Five movies). Yet the former film spawned a multi-film and TV series franchise, so there ya go.
If anything, the amusing thing is how much I hated the film. It passed some threshold that put it forever on my blacklist…
Fair Warning: Next week I have some political and social foaming at the mouth to do over current events and modern society, but that can wait. The weather recently has been too nice for my hot-collar wardrobe. The swelter is supposed to return next week; the forecast is for serious ranting with scattered raving.
For the weekend, for Science Fiction Saturday in particular, for all my disdain of movie and TV science fiction (especially TV SF, most of which does nothing for me), literary science fiction is very alive and quite well!
Recently I’ve been enjoying three authors in particular…
A long time ago (nearly four years!) I wrote a post about my high school English teacher, Mrs. McGee (see The Love Connection) and a short story I’d written in her class. I complained in my post that she’d given me a low grade on the story because she objected to its conclusion.
Turns out my memory about the objection is correct, but she give me an ‘A’ on the paper anyway. (In fact, she compared the writing to Chekhov’s The Seagull … kinda sorta.)
I wanted to share it years ago, but didn’t know where it was. I found it just last week, and here it is:
In Greek mythology, the hero Theseus, who slew the Minotaur and escaped its maze, returned from Crete to Athens where the Athenians preserved his ship in seaworthy state for more than a thousand years. It was an emblem of courage and a reminder of a national hero that many Greeks considered more legendary than mythological.
The Ship of Theseus was carefully maintained. Parts that rotted away were replaced with exact replicas. And in a ship made almost entirely of wood, crude iron, rope, and sail, everything rots, so eventually everything gets replaced.
Which makes the identity of the ship an interesting question.