Tag Archives: adaptations
Over the last few weeks, I’ve watched (on Netflix) two seasons of Resident Alien, a SyFy television adaptation of the same-named comic series. A third season finished airing on the SyFy channel earlier this month but isn’t yet available on Netflix.
Both the comic and its adaptation are stories about an alien stranded on Earth, but the adaptation is a severe departure from its source text. Worse from my point of view, the television show is an Idiot Clown comedy, and I’ve never cared for those. In its favor, though, it stars the inimitable Alan Tudyk.
The pity is that the comic story is much better — and much smarter — than the adaptation but has been almost entirely discarded.
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7 Comments | tags: adaptations, aliens, comics, science fiction, science fiction TV | posted in Sci-Fi Saturday, TV
Over the last few weeks, on Amazon Prime, I’ve watched all 30 episodes of the first season of Three-Body, the Chinese television adaptation of the 2006 science fiction novel The Three-Body Problem, by Liu Cixin.
That’s the first book of the Remembrance of Earth’s Past trilogy. The second and third books are The Dark Forest (2008) and Death’s End (2010). I haven’t (yet) read the novel, but the adaptation is said to be reasonably faithful to the text.
I enjoyed the TV adaptation but found certain aspects of it frustrating. I’m curious to see if my frustrations are due to the adaptation or inherent in the novel.
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18 Comments | tags: adaptations, Liu Cixin, science fiction TV, SF TV | posted in Sci-Fi Saturday, TV
I’ve written many times here about my issues with TV and movie adaptations of existing stories. Short synopsis: I usually find them lacking. Especially the more recent attempts. Extra especially the live-action adaptations of animated stories. So many are just plain awful.
I don’t mean they fill me with awe, at least not the good kind. Sometimes I am a bit in awe that the people involved all thought it was a good thing. Emperor’s New Clothes, perhaps? No one wanted (or dared) to say anything?
Recently, I got to thinking about the worst adaptations I’ve seen…
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13 Comments | tags: adaptations, Agatha Christie, Cowboy Bebop, Preacher (TV series), Sandman, storytelling, The Andromeda Strain, Tony Hillerman | posted in Books, Movies, TV
A late edition Mystery Monday post because I’ve been distracted by various and sundry. I’ve meant this for more than one previous Monday. Not gonna miss another.
Having pretty thoroughly explored the British Queens of Crime as well as (the American) Ellery Queen, I’ve turned to new pastures: the Butch Karp / Marlene Ciampi stories by Robert K. Tanenbaum and the Matthew Scudder stories by Lawrence Block. And French author Maurice Lablanc!
Plus, I’m disgruntled by Dark Winds, an AMC TV series that (too loosely, IMO) adapts two novels from the Navajo Tribal Police series by Tony Hillerman.
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11 Comments | tags: adaptations, Anne Hillerman, Arsène Lupin, Jim Chee, Joe Leaphorn, Lawrence Block, Lupin (TV series), Lupin the Third, Matthew Scudder, Tony Hillerman | posted in Books, Mystery Monday
Last Saturday, thanks to Amazon Prime, I screened a theme-related science fiction double-feature: The Day the Earth Stood Still (2008) and Arrival (2016). Both are fairly recent films about aliens visiting the Earth on mysterious missions.
The former, of course, is a remake of the 1951 same-named classic — a film good enough to have stood the test of time. Which, for science fiction films, is saying something. The remake suffers in comparison (and because it’s a remake) but considered on its own is an okay SF movie.
Arrival is generally a better film, but I do have a few issues with it.
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15 Comments | tags: adaptations, Arrival (film), Denis Villeneuve, Keanu Reeves, remakes, science fiction, science fiction movies, SF Movies, The Day the Earth Stood Still | posted in Movies, Sci-Fi Saturday
This post’s title is a bit vague. Someone familiar with my interests might suppose it has something to do with the Well World series by Jack L. Chalker — I’ve posted about it before. I won’t draw out whatever suspense you might have — the well in question is humanity’s wellspring of stories.
The revisiting is our love of nostalgia in all the sequels, serials, remakes, reboots, adaptations, borrowings, homages, parodies, and pastiches. To name but some. And make no mistake, all stories have elements of other stories. Boil stories down enough and the reductions begin to look similar (the infamous seven plots).
But I find myself bemused by how obsessed we get about drinking from the same well over and over when there are so many other interesting wells.
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22 Comments | tags: adaptations, reboots, remakes, sequels, storytelling | posted in Books, Movies, TV
Over the last week or so I’ve been watching The Umbrella Academy (2019-2022; Netflix; three seasons; 10 episodes each). Speaking as someone who is beyond being over live-action superhero stories, I rather enjoyed it. Enough that I plan to check out (in both senses of the word) the same-named graphic novels the show is adapted from.
And that right there says even more about my enjoyment of the series. How many times have I written here that doing a live-action adaptation of comics or animated shows is a mistake that usually ends badly? (A lot is the answer.) And it’s a Netflix show to boot.
Yet, despite some small annoyances, I found it quite engaging.
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6 Comments | tags: adaptations, Netflix, superheroes | posted in TV Tuesday
Over the last nine posts I’ve been pondering the topic of Who Can Play Who when it comes to adaptations of existing works. To wrap things up, and because ten is a magic number to us humans, it seems reasonable to try to boil it all down to something coherent. If that’s even possible.
I find myself conflicted sometimes between what I’ll call a stage play sensibility that allows huge latitude in casting actors versus my sensibilities about live-action adaptations of well-established existing properties.
I think that changes the equation.
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14 Comments | tags: actors, adaptations, characters, gender, race, women | posted in Movies, Opinion, Society, TV
I seem to have a penchant for trilogy posts. It wasn’t intentional this time, but I ended up writing a trilogy of posts [1, 2, 3] about the Netflix adaptation of The Sandman (1989-1996), the much-loved graphic novel authored by Neil Gaiman (and drawn by various artists).
The Netflix adaptation offers some good examples of actor swapping, which has been my theme lately. Ultimately, I think the real problem is realistic live-action adaptations of singularly and visually well-defined drawn or animated characters. For instance: Superman, Homer Simpson, and Mickey Mouse.
When real people portray them, race and gender come into play.
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6 Comments | tags: actors, adaptations, gender, race | posted in Movies, Society, TV
One of the main posters for the Netflix adaptation of the Neil Gaiman graphic novel The Sandman seems to encapsulate and illustrate an approach by Hollywood that many, myself included, find problematic. This post continues a series of posts pondering the issue of actor swapping in film and TV roles.
I spent two posts (one and two) on The Sandman adaptation because of its examples of actor swapping in key roles. These stand out because they apply to especially well-defined characters. Similar, say, to the characters on Futurama.
I hadn’t intended a third post, but the poster caught my eye. It’s the one in the lede of the two posts (and this one). Its layout out intrigues me.
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6 Comments | tags: adaptations, comics, Neil Gaiman, Netflix, Sandman, science fiction TV | posted in Rant, TV
Logos con carne 