I finished Fall: or, Dodge in Hell, the latest novel from Neal Stephenson, and I’m conflicted between parts I found fascinating and thoughtful and parts I found tedious and unsatisfying. This division almost exactly follows the division of the story itself into real and virtual worlds. I liked the former, but the latter not so much.
Unfortunately, at least the last third of the book involves a Medieval fantasy quest that takes place in the virtual reality. The early parts of the story in the VR are fairly interesting, but the quest really left me cold, and I found myself skimming pages.
I give it a positive rating, but it’s my least-liked Stephenson novel.
I’ve been a fan of Neal Stephenson since Snow Crash (1992), his third novel. I’ve read much of his work — the big exception being The Baroque Cycle, descriptions of which haven’t captured my interest yet. I like his writing enough that I’ll probably enjoy them if I ever take the plunge.
Stephenson writes pretty hard SF, which I love, and he explores such interesting ideas that I’m generally quite enthralled by what some see as fictionalized physics books. The thing is, I’d enjoy reading those physics books, so having it come coated in any kind of frosting is a win in my (pardon the pun) book.
I’ve just gotten started on his most recent novel, Fall; or, Dodge in Hell.
For a Sci-Fi Saturday post, this started as a stretch and then some. While Zero Sum Game (2018), by S.L. Huang, has at least a science fiction flavor, The Gun Seller (1996), by Hugh Laurie (yes, that Hugh Laurie), is more fantastical than science fictional. They do have in common a protagonist beyond capable as well as action hero thriller plots.
I can redeem the post now that I’ve read The Android’s Dream (2006), by John Scalzi (whom I’ve praised here before for Redshirts). Here, too, is an extremely competent protagonist in an action hero thriller. (As an aside, the two written by men feature a love interest. (While I’m at it, guess which of the three does not have a Wiki page.))
The bottom line: I thoroughly enjoyed all three!
Well I have at long last finally seen Marvel’s The Avengers (2012) and Thor (2011) — two of the early films in the long-running Infinity Saga (the series has 23 films out so far; more are coming). The short version is I thought The Avengers had some good bits, but overall I found them both fairly underwhelming (but I’m so not the audience for these).
Unfortunately, I was also a little underwhelmed this week by Stargate: Universe, which I tried binge watching because John Scalzi (whose book Redshirts I really liked) was the creative consultant on the show. I quit after three episodes. It wasn’t that it was bad so much as it (as with these comic book movies) just seems like the same old stuff I’ve seen many, many times.
Ah well, you can’t win them all.
I’ve been reading Spacehounds of IPC (1947), by E.E. “Doc” Smith, and… it hasn’t aged well. For a long time I’ve been thinking it would be fun to read Smith’s Lensmen series again, but given that I’m having a hard time finishing Spacehounds, maybe that train left the station some time ago (especially with so much other stuff to read).
It’s a pity because I sure liked those books when I was (much) younger. Smith wrote action-filled space opera that was very imaginative and which also reeked of technology and science. I’ve never been that much into the space battles, but I’ve always been a sucker for hard SF. Fictionalized tech manuals work okay for me.
But these aren’t the gems mentioned in the post’s title.
I just finished reading Redshirts, by John Scalzi, and it’s just about the best, most entertaining, brilliant story I’ve read in a good long time. It’s so good that I have to place it with other best-of-kind laugh out loud science fiction delights such as Galaxy Quest and Hitchhiker’s Guide to the Galaxy.
It has a lot in common with Galaxy Quest in being a multi-level utterly ingenious send up and hysterical deconstruction of Star Trek (The Original Series). Scalzi has captured and lampshaded so many of the things fans have discussed over the years. And, as with Galaxy Quest, it’s a pretty good story all on its own.
But it is an absolute must-read for any fan of the original Star Trek.
Recently I’ve dedicated myself to catching up on my reading list. Various life distractions have caused me to not read nearly as much as I used to. Actually, it’s more that I haven’t been reading fiction that much lately; I’ve been more focused on news feeds and science (articles and books). I find I miss curling up for hours with a good story, so I’ve determined to return to it.
Here for Sci-Fi Saturday I thought I’d mention a couple I finished this past week: Ball Lightning, by Liu Cixin, and Dark Run, by Mike Brooks. The former is a standalone novel; the latter is the first (of so far three) in a series.
The Brooks books are sheer adventure yarns, but telling you about Ball Lightning requires a pretty hefty spoiler.
Last week I read Quarantine (Greg Egan, 1992), a science fiction novel that explores one of the more vexing conundrums in basic physics: the measurement problem. Egan’s stories (novels and shorts) often explore some specific aspect of physics (sometimes by positing a counterfactual reality, as in the Orthogonal series).
In Quarantine, Egan posits that the human mind, due to a specific set of neural pathways, is the only thing in reality that collapses the wave-function, the only thing that truly measures anything. All matter, until observed by a mind, exists in quantum superposition.
Unfortunately, it’s difficult to explore how this ties into the plot without spoiling it, so I’ll have to tread lightly.
For Sci-Fi Saturday I thought I’d mention how much I’ve enjoyed some recent Netflix original productions about robots (the very intelligent kind). As usual, I’m a little late to the party. For most people with Netflix, the post’s title probably immediately evoked either or both shows.
I’m speaking, of course, of Love, Death & Robots, an anthology of animated shorts, and of I Am Mother, a movie about a robot raising a child (humanity’s last best hope). I was delighted by the former immediately, but with the latter it wasn’t until I knew the entire story that my opinion changed from poor to good. Through most of the movie it seemed to be a rather flawed story I wasn’t sure I liked.
But the ending put all the plot holes in much better light!
It’s Science Fiction Saturday, so today I want to consider a fairly common question a fan might encounter: “Science Fiction or Fantasy?” The implication is that one tends to exclude the other. In these polarized times, it can amount to a declaration of your tribe.
One problem is there’s a spectrum from hard SF to pure fantasy with everything in between. But let’s take them as two legitimate poles and consider the question in terms of configuration space. (See posts #1 and #2 if you need to catch up.)
I think you’ll see that using a space give us a new take on the question.