In what seems the distant past of late summer 2019, I posted about an interesting science fiction novel by Greg Egan, Quarantine (1992). The post didn’t get many views back then — only 13 that August, and only 27 total by the end of the year. And through 2020, it only racked up another 37 views. (That’s 64 total for those keeping score at home.)
Then, this January, the post got 257 views — 161 in the first three days. After being largely ignored for a year-and-a-half, something made the post go mildly viral. No one commented, so I have no idea how or why the post got so much traffic.
I have a thought it might have to do with the title.
I thoroughly enjoyed the first John Scalzi book I read, Redshirts. I thought it was delightful and definitely my kind of book. I also very much enjoyed the second Scalzi book I read, The Android’s Dream. Because of that, I’ve been looking forward to reading his trilogy, The Interdependency.
This past week, courtesy of online library books, I finally did, and I do regret to report that I found the series rather underwhelming. I ended up skimming through the last half of the last book just to find out how it all turned out.
I think the biggest issue for me was lack of action. There was a ton of narration, explanation, internal monologue, and talking, but there wasn’t much action.
I think we all agree 2020 has been, as the curse puts it, an “interesting” year. Going into it, I had intentions about making changes. Most fell by the wayside due to COVID-19; I still haven’t taken the bus to watch the St. Paul Saints play. Or the bus-light rail combo to Target Field.
As a life long hard-core introvert, “social isolation” mostly meant I shopped for groceries less often but stocked up more when I did. The pain was fewer occasions of meeting a friend for tasty food, drink, and chat. I’m really looking forward to dining out again.
All-in-all, the last four years, this year… It’s been exhausting.
In every literary genre (in every type of art, really), there are classics that stand out and often participate in forming the language, or at least some of the territory, of the genre. That is part of what makes these works classics. (Lord of the Rings is an ultimate classic — all Medieval fantasy since is in reference to it.)
I suspect all serious readers have a classic or two they’ve never gotten around to. Last week I finally got around to reading the classic science fiction novel, Brave New World (1932), by Aldous Huxley.
For a novel written 88 years ago, it’s surprisingly prescient and relevant.
Last week I read a science fiction novel I’d seen in a number of “must read” lists: The Long Way to a Small, Angry Planet (2014), by Becky Chambers. The title certainly appealed to me, and, along with the book’s cover, it seemed like it might be fun, funny, or even zany.
I like to let things unfold, so I usually avoid trailers and reviews until after I’ve seen or read for myself. A few months ago I wrote about Axiom’s End, which I really liked. I was anticipating a similar ‘great new author’ experience. (I’ve also mentioned the S.L. Huang Cas Russell books. I kinda liked those, too, so I’m definitely feeling favorable towards new authors.)
Unfortunately, I didn’t like this book at all.
Originally 95 cents each!
In a post six years ago I mentioned that I’d finally gotten around to unpacking a box of books that had been sitting in a closet since I moved into the place. The problem I always have when I move (aside from all the book packing) is shelf space. I prefer the kind of shelves mounted on the wall, so I have to recreate shelf space every time.
Not that my memory for what I mentioned in a post six years ago is sharp. Or even exists. I noticed the post had some views recently, so I re-read it. The line caught my eye because last week I opened the last unopened box of books.
And I found some old science fiction friends!
I actively try to avoid “the buzz” — for most definitions of the word (“beer buzz” is a whole other thing than I’m talking about here). I mean the buzz of current memes and all the popular things I’m supposed to think, feel, and be. As I’ve said before, I’m deliberately allergic to trendy — I refuse to swim in the main stream.
That applies especially to the books, TV shows, or movies, that I’m supposed to see. I’m even more resistant to things I’m supposed to either hate or love. (I still have never seen ET — never will.) I generally don’t read or watch reviews until after I’ve read or watched what they review.
Which brings me to Axiom’s End (2020) a debut novel by Lindsay Ellis.
My last post was about my disappointment in the science fiction novel series, The Expanse, starting with book four. As it turns out, for me, that’s just the start of my disengagement — it goes seriously downhill from there. To be clear I’m speaking strictly in terms of my personal taste. As the saying goes, ‘One person’s mead is another person’s poison’ (not that I’m a fan of mead).
Given the steep downward trend, book four seems better in comparison. While I like it much less than the first three, I like it much more than what follows. It has some good protomolecule bits, and frontier colony stories are pretty standard science fiction fare.
But I’m particularly struck by what the TV version changed and added.
I feel like a jilted lover. Or a very disappointed one. I found what seemed a delightful bit of science fiction color in an otherwise increasingly grey and dismal world. I let myself get attached (despite a few alarm bells going off in my head). I thought I’d found something truly worthwhile — something to invest myself in.
And it seemed really good at first. There was all the excitement of exploring something new and interesting. But after that great start, there came a most unwelcome left turn into a stinking swamp I want no part of.
This isn’t a Sci-Fi Saturday post or a TV Tuesday post… this is a spleen vent.
Neal Stephenson, like Greg Egan, is a hard science fiction author who never fails to delight me with something new and tasty. Both Stephenson and Egan seem able to leave footprints in otherwise well-trodden ground. Stephenson, in particular, often makes me LOL.
That’s not an acronym I use very often, but it seems especially appropriate here given this post is about The Rise and Fall of D.O.D.O., by Neal Stephenson and Nicole Galland. The book has so many tongue-in-cheek military acronyms (DODO, DTAP, DEDE, MUON, etc) that it has a glossary at the back.
The story concerns parallel worlds, wave-function collapse, and witches.