Judy, Judy, Judy!
I’ve been a fan of science fiction since the early 1960s. I was already an avid fan and ready audience for Lost in Space (1966–68; Judy was one of my earliest childhood crushes), It’s About Time (1966–67), and I was glued to the TV set enthralled when Kirk, Spock, and the rest, first boldly went in 1966.
By then I’d already consumed all I could of Asimov, Clarke, Heinlein, along with Verne, Wells, and Burroughs (I didn’t discover Tolkien or Howard until high school a few years later).
Movies like The Day the Earth Stood Still (1951), 20,000 Leagues Under the Sea (1954), and Forbidden Planet (1956), all had me avid for 2001: A Space Odyssey (1968).
It’s been a whole lot of years, and a whole lot of science fiction, is my point.
Blessed be the Force!
As long as I’ve been picking my own reading material, a huge fraction of it has science fiction. I’ve been doing that picking since about 1963-ish, so let’s just call it 50+ years. Up until around the mid 1990s, it would have been hard to name a science fiction book or movie I didn’t know (and in many cases, own).
But somewhere near the end of the last century science fiction became a full-fledged mass-produced commodity that through sheer over-exposure became dull and uninteresting. In a way, I blame George Lucas and Star Wars, so I split SF into two eras:
Before Lucas (B.L.) and Anno Stella Bella (ASB).
Governments and corporations will choose Friday as the day to release news that makes them uncomfortable. The logic is that people don’t pay attention to the news on Friday because they’re getting ready for the weekend.
Even if people do notice an uncomfortable news item, the hope is the weekend erases it from the 24-hour news cycle. Given our increasingly short memories these days, the logic works.
So I’ve decided to join in with my own info dump!
And then there was one.
Last time, I wrote that my definition of science fiction is fiction with science + imagination. And that the science is freely defined to include guesses and completely made up, if not downright illegitimate, physics. In fact, that’s the imagination part of the equation. The fiction part is also freely defined, but basic story telling rules should apply. The science part must also play by certain rules, even when it’s made up science, even when it’s illegitimate
This article is about how I view the science and fiction in science fiction when it comes to playing by the rules. (Keep in mind that science fiction is art, and in art rules are made to be broken.)
Fantasy lovers take heart; in this case, my definition of science includes magic, the supernatural and the metaphysical. This uses the context of speculative fiction, which includes everything beyond current physics. The fiction canvas is framed by any physics, or metaphysics, the story requires. Warp drive is no more real science than vampires or Norse Gods; all of them are fiction.