The worst of it is the three posts in my Drafts folder that I can’t seem to move forward. They sit there, woefully incomplete, mocking me while other posts spring forth, quietly get dressed, and move on out the virtual door.
They’re stuck, in part, by a need for diagrams, and I’ve been stuck between whether to load my increasingly obsolete graphics app onto my new-ish laptop or invest (time, money, effort) in something new.
And life keeps happening, and that leads to another edition of Friday Notes.
Back in 2020, I posted about my surprise rediscovery of Agatha Christie. The initial discovery is lost in memory, a hand-me-down from my dad. I favored heroic action figures back then, Superman, Sherlock Holmes, Clint Eastwood. I enjoyed Christie’s Hercule Poirot but filed the rest of her work under ‘dowdy British library murder mystery’ and ignored it.
A mistake. My surprise discovery of 2020 was that Agatha Christie was a fascinating genius who rightfully earned the title Queen of Mystery.
Last week I watched a recent adaptation of Death on the Nile (1937), one of the more well-known Hercule Poirot novels. I had high hopes, but I can only give it a weak Eh! rating.
It started when I watched Jack Reacher (2012), starring Tom Cruise. It was pretty good, and it’s as much fun seeing Robert Duvall in something as it is Christopher Walken. Plus, the bad guy is Werner Herzog! As it turns out, casting Cruise as Reacher is… interesting, but I’ll come back to that.
The movie is an adaptation of the 2005 Lee Child novel, One Shot, the ninth book in his Jack Reacher series. I enjoyed the movie enough that I thought I’d check out the book — my library had it (as well as the others in the series).
I’ve been binging on them ever since. To the point I’ve now read 16 of the 24 Lee Child Jack Reacher novels.
It started out as conversation about how Edge of Tomorrow is the best big screen SF movie to come along in a good long while. That led to a ranking of recent SF movies with very high marks going to Elysium and Ender’s Game. It also touched on that Tom Cruise has made four — no, five! — SF films, at least two of which are very good.
Of course that led to talk of actors and how Jodie Foster and Matt Damon seem (unlike, for example, poor Sandra Bullock) to have excellent taste in what scripts they accept. If either of those two — let alone both — is in a movie, it’s probably pretty decent. Talk of actors in SF films naturally lead to Keanu Reeves whose ancestry and acting style make him such a perfect choice in certain roles.
And that lead to what a damn shame it is they tried to remake The Day the Earth Stood Still.