This is turning into a habit. Three weeks ago I binged (and loved) the entire first season of Solar Opposites (created by Justin Roiland). Two weeks ago I binged (and loved) the entire first season of Upload (created by Greg Daniels). Last week I caught up on other stuff, but did watch all of the first season of Ghost in the Shell: SAC_2045, although that took two evenings.
Last night I was up until after 3:00 AM watching the entire first season of Space Force, created by Steve Carrell and Greg Daniels. I very much enjoy the work of both, so I was very much looking forward to seeing this show. It may not be “the best show I’ve seen in awhile,” but it kept me watching to the end.
That said, I think Upload is the smarter comedy of the two.
I was planning on curling up on the couch with some good reading material today, but I bumped into something in my news feed this morning that raised my blood pressure and gave me the perfect excuse to get rid of another old note and vent some spleen (I like to keep it aired out).
The bitter irony is that what I see as a problem just doubled. It used to involve just one episode of a TV series I really like. Now it involves another episode of another TV series I like. Two episodes I will never, ever touch. If they were the last TV episodes in the world, I’d stop watching TV.
I’m talking about Netflix and their @#$%ing interactive videos.
What do Pluto (the planet), Queen guitarist Brian May, the Israeli Beresheet lunar lander, tardigrades, comedian Dave Chappelle, and Netflix, all have in common?
Firstly, that they’ve all been very prominent in my news reader (and perhaps yours as well). Secondly, they all deal with socially divisive things (some more than others). Thirdly, they all caught my eye because they have to do with things I feel a bit strongly about (some more than others).
Let me explain…
For Sci-Fi Saturday I thought I’d mention how much I’ve enjoyed some recent Netflix original productions about robots (the very intelligent kind). As usual, I’m a little late to the party. For most people with Netflix, the post’s title probably immediately evoked either or both shows.
I’m speaking, of course, of Love, Death & Robots, an anthology of animated shorts, and of I Am Mother, a movie about a robot raising a child (humanity’s last best hope). I was delighted by the former immediately, but with the latter it wasn’t until I knew the entire story that my opinion changed from poor to good. Through most of the movie it seemed to be a rather flawed story I wasn’t sure I liked.
But the ending put all the plot holes in much better light!
Because I knew I’d be dog-sitting Bentley for two weeks, I spent the weeks prior getting a lot of work done with the specific intention of burning out a bit and needing some loaf time. I figured I could spend Bentley time, when not actually interacting with her, reading and catching up on TV (both queues are long). The Yang to the Yin is that, after a goodly break, the work would seem fresh again.
The point is that I’ve been watching a lot of TV. During the day (when not “dogging it”), I’ve read (more about that another post); and in the evenings, I’ve watched TV 5.0.
Which is to say cable-cut internet-streaming wifi TV using downloaded apps from the manufacturer’s online store. We’ve come a very long way (baby).
I just took the plunge and cancelled my Comcast cable!
I’ve been on the cable since 2002, so they were sorry to see me go. I’m sure they are. Cable companies have been losing a lot of customers as technology shifts to a streaming environment. For me, an additional consideration is that, while Comcast has definitely improved how they roll, I have many bad feelings from the earlier years when they seemed always on the Ten Worst Company lists.
The combination of those feelings, plus the economics and logistics of it all, made it exactly the right choice for me now.
In an almost weird bit of prescience, I broke up with Michelle Wolf’s The Break just days before Netflix did. The several articles I read announcing it reported that Netflix hadn’t offered a reason for the cancellation, and speculated on connections with an apparent history of failed talk shows. Netflix just bad at talk shows, was the implication.
Let me offer another reason, perhaps the real reason. The show was awful. It was painfully not funny, nor was it terribly creative. It tried hard to be, but the result was usually more like a bad SNL script. And, regrettably, Ms Wolf may not be a good choice for talk show host.
After hanging in there since the beginning, I just couldn’t any more. I had to bail.
I will admit: There are times when it would be nice to have a Twitter account just so that I could fire off tiny missive missiles about things that annoy me (or, flip side, delight me, but that happens all too rarely these days).
And by “annoy” I mean: Really. Piss. Me. Off. Another sign of the times is that mere annoyance barely registers anymore. What with that evil orange toad illegally squatting in the Oblong Office, I live mostly in a state of constant rage.
So a brief angry pause from streaming video for some spleen venting…
My last post ended up with a misleading title (oops). When I started it, I planned to rag on more than just the Fargo TV series — figuring I didn’t have all that much to say about it — but the post become a total spleen vent about that one show (with a bit of shade for Hulu). Ah, well, better out than in.
This post, and at least two I’m planning after, will fall on the other side, my good side. To Yin the Yang of the previous two posts, these will be about shows I’ve really enjoyed (or even loved).
This post is about shows I’ve enjoyed that are produced by Netflix.