History, location, and religion aside, the Wikipedia disambiguation page for “Babylon“ has 52 entries under “Arts and entertainment” — 26 of which are songs (including one by David Gray that I rather like). Two entries, a novel series and an anime series (which I binged last night), link to the same page because they refer to the same very interesting (very dark) story.
By interesting (and dark) I mean it’s about good, evil, and whether the right to suicide is a good thing. The battles here are mainly intellectual and spiritual. A key point for the characters is the question: what is good; what is evil?
I also recently watched Jupiter’s Legacy on Netflix (Meh!), and I want to offer props to the most recent episode of Grown-ish, which I thought was compelling, well-done, and worth seeing.
This post is a follow up to the one yesterday about TV shows I’ve been watching recently, but this one is about recent movies. Actually, there’s a dessert dish I snuck in to make it a four-course meal — I haven’t seen Hardcore Henry in a while, but it’s so unique and tasty I had to include it.
I have two entrées today, one an Amazon Prime original modeled after the great (but as it turned out not inimitable) Groundhog Day. The other, which I also saw on Prime, is an interesting and wry murder mystery with a great cast and an interesting twist on the whodunnit murder mystery.
The side dish is a Netflix animated comedy about the robot apocalypse.
I watched the first season of Chilling Adventures of Sabrina (Netflix) with mixed reactions. It had just enough to keep me watching, but I didn’t think much of the writing. It has the same problem as a lot of modern fantasy — random, irrational, downright dumb (and in this case very unoriginal) world building.
The latter season tipped the scales entirely to an Ugh! rating for me. Television shows are rarely known for their intelligence, but this one has given me a new standard of worst-ever.
To be clear here, ‘I come, not to praise Sabrina, but to bury it.’
This is turning into a habit. Three weeks ago I binged (and loved) the entire first season of Solar Opposites (created by Justin Roiland). Two weeks ago I binged (and loved) the entire first season of Upload (created by Greg Daniels). Last week I caught up on other stuff, but did watch all of the first season of Ghost in the Shell: SAC_2045, although that took two evenings.
Last night I was up until after 3:00 AM watching the entire first season of Space Force, created by Steve Carrell and Greg Daniels. I very much enjoy the work of both, so I was very much looking forward to seeing this show. It may not be “the best show I’ve seen in awhile,” but it kept me watching to the end.
That said, I think Upload is the smarter comedy of the two.
I was planning on curling up on the couch with some good reading material today, but I bumped into something in my news feed this morning that raised my blood pressure and gave me the perfect excuse to get rid of another old note and vent some spleen (I like to keep it aired out).
The bitter irony is that what I see as a problem just doubled. It used to involve just one episode of a TV series I really like. Now it involves another episode of another TV series I like. Two episodes I will never, ever touch. If they were the last TV episodes in the world, I’d stop watching TV.
I’m talking about Netflix and their @#$%ing interactive videos.
What do Pluto (the planet), Queen guitarist Brian May, the Israeli Beresheet lunar lander, tardigrades, comedian Dave Chappelle, and Netflix, all have in common?
Firstly, that they’ve all been very prominent in my news reader (and perhaps yours as well). Secondly, they all deal with socially divisive things (some more than others). Thirdly, they all caught my eye because they have to do with things I feel a bit strongly about (some more than others).
Let me explain…
For Sci-Fi Saturday I thought I’d mention how much I’ve enjoyed some recent Netflix original productions about robots (the very intelligent kind). As usual, I’m a little late to the party. For most people with Netflix, the post’s title probably immediately evoked either or both shows.
I’m speaking, of course, of Love, Death & Robots, an anthology of animated shorts, and of I Am Mother, a movie about a robot raising a child (humanity’s last best hope). I was delighted by the former immediately, but with the latter it wasn’t until I knew the entire story that my opinion changed from poor to good. Through most of the movie it seemed to be a rather flawed story I wasn’t sure I liked.
But the ending put all the plot holes in much better light!
Because I knew I’d be dog-sitting Bentley for two weeks, I spent the weeks prior getting a lot of work done with the specific intention of burning out a bit and needing some loaf time. I figured I could spend Bentley time, when not actually interacting with her, reading and catching up on TV (both queues are long). The Yang to the Yin is that, after a goodly break, the work would seem fresh again.
The point is that I’ve been watching a lot of TV. During the day (when not “dogging it”), I’ve read (more about that another post); and in the evenings, I’ve watched TV 5.0.
Which is to say cable-cut internet-streaming wifi TV using downloaded apps from the manufacturer’s online store. We’ve come a very long way (baby).
I just took the plunge and cancelled my Comcast cable!
I’ve been on the cable since 2002, so they were sorry to see me go. I’m sure they are. Cable companies have been losing a lot of customers as technology shifts to a streaming environment. For me, an additional consideration is that, while Comcast has definitely improved how they roll, I have many bad feelings from the earlier years when they seemed always on the Ten Worst Company lists.
The combination of those feelings, plus the economics and logistics of it all, made it exactly the right choice for me now.
In an almost weird bit of prescience, I broke up with Michelle Wolf’s The Break just days before Netflix did. The several articles I read announcing it reported that Netflix hadn’t offered a reason for the cancellation, and speculated on connections with an apparent history of failed talk shows. Netflix just bad at talk shows, was the implication.
Let me offer another reason, perhaps the real reason. The show was awful. It was painfully not funny, nor was it terribly creative. It tried hard to be, but the result was usually more like a bad SNL script. And, regrettably, Ms Wolf may not be a good choice for talk show host.
After hanging in there since the beginning, I just couldn’t any more. I had to bail.