Tag Archives: Star Trek

Fans: Not A Fan

Star Trek wasn’t hugely popular right off the bat, or even for a long time. The first series, after all, lasted only three years and had to fight for survival for most of that time. But it did catch on hugely with us fans; many of us fell in love right away.

From an early point even within the fan community, let alone to mundanes, some of us were careful to identify as Trekkers rather than Trekkies. As I used to put it, “Trekkers are grown ups who love science fiction. Trekkies own a pair of Spock ears.”

Then, because of a little movie, named Star Wars, science fiction went mainstream. And so did the divide between two rather different kinds of fans…

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Reboots

The other night, I watched the first episode of the CBS reboot of Murphy Brown, and my first thought is that I hope it gets better. A lot better. The only part I liked was the cameo by Hillary Clinton playing “Hillary Clindon,” a potential secretary for Candice Bergen’s Murphy Brown. (If I remember the original show correctly, Brown had a long and troubled history with secretaries, which puts a bit of icing on the scene.)

Seeing the main characters again, for me, was awkward and close to cringe-worthy. They seem very much a product of their era (1988-1998) and didn’t translate well across the two decades that have brought so much social and technical change.

Part of the problem might be that I find CBS half-hour sitcoms tediously dull, cliché-filled, totally unfunny, marshmallow realities.

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Over and Over

cow jumped moonCome over here. Go over there. Let’s go over the bridge, over the wall, and over the plan (while we still have a roof over our heads). But let’s not get over-confident and allow our enthusiasm to spill over. (For that might over-turn the apple cart and we won’t get a do-over!)

Something can be over — that is to say finished, done. And one can be over something (finished with it, done with it). I’ve been struck, lately, by a number of things that are over as well as by the realization that I’m over some things.

The former make me a little bit sad, and a couple of the latter, especially one, took me a bit by surprise!

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Synchronicity Strikes Again!

UNCLE 0I don’t know that synchronicity plays any greater role in my life than it does for anyone else. I seem to notice it fairly often, and I love when it happens. It’s generally an illusion; coincidences occur all the time. Sometimes they stand out in a way seems like evidence of greater import or design.

But that is usually a matter of selection bias. Coincidence that impresses us is memorable. Cops, as well as doctors and nurses who work ER shifts, often think the full moon brings out the crazies, but the data doesn’t really support that.

Regardless, synchronicity is fun when it happens.

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Storytelling: The Betrayer

Diane Duane-0The punchline is that I was suddenly struck by how modern fiction seems to have conditioned me to expect an apparent White Hat to secretly be a Black Hat. The question I find myself asking now is whether fiction has actually changed (and if so why) or is it just me? The more I think about it, the more I’m inclined to think modern fiction has changed.

If so, does that reflect a modern sensibility about people today? Does the rise of the modern anti-hero bring with it the idea of the betrayer? Do we expect so little of people anymore that our heroes need to be dirty and double-agents seem matter of course?

This all started with Diane Duane

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Berman’s Vulcans

Spock IDICIt’s hard to remember exactly, but I think I first noticed it back in the days of Star Trek: Deep Space Nine. It’s even possible it really started in the earlier series, Star Trek: The Next Generation. By the time of the final series, Star Trek: Enterprise, it was definitely a thing, and by then it went way too far.

In the original Star Trek series, Gene Roddenberry gave us Vulcans. They were, in many ways, better than humans. They lived longer, they were stronger and smarter, and — crucially — they were, in some ways, wiser than us. Rick Berman, Roddenberry’s heir apparent, re-wrote that vision to make them conniving, lying, self-interested bastards. In other words, he made them more human.

My question here is: Why did our heroes turn into such assholes?

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Doctor! Doctor!

TARDIS

“These are the voyages of the…” Wait! Wrong great SF TV show!!

Do you know about the impossible girl? How about the girl who waited (for 12 years and then again for 36), or her other half, the boy who waited (for 2000)? There are others: the woman who forgot the greatest adventure ever; the woman who became a doctor and a warrior; the woman who was forever lost to another dimension. And there is the stolen daughter raised as would-be assassin, but who instead became a wife traveling backwards in time.

Do you know about deadly monsters encased in metal armor? How about fearsome monsters that are as stone statues when you look at them, but who remove you from time when you don’t?

Most of all, do you know about the madman with a box?

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180 Years of Venn

John VennIn my family, we were rather casual about birthdays and other event days. It wasn’t  unusual to celebrate a birthday, not on the exact day, but on a nearby day. We were fairly poor, so birthdays mostly consisted of a cake and a token present of some sort. (Put it this way: I can’t recall a single birthday present I ever got. We just weren’t that into birthdays.)

But I don’t recall ever not celebrating Christmas or Easter on the day. That may be as much due to my father being a pastor and having to do his thing at church on those days. The religious upbringing — and the strong streak of anti-materialism that went with it — likely accounts for downplaying birthdays and other gift-giving occasions.

Which is all to say that I missed posting on John Venn‘s birthday!

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Replicator Redux

Earl Grey

Earl Grey. Hot!

I’ve written about the Yin-Yang of analog versus digital, a fundamental metaphor for how reality can be smooth or bumpy. I’ve applied the idea to numbers, where we see two types of infinity — countable (discrete, digital, bumpy) and uncountable (continuous, analog, smooth). There is also how chaos mathematics says that — the moment we round off those smooth numbers into bumpy ones — our ability to use them to calculate certain things is forever lost.

And I’ve also written about Star Trek replicators and transporters, as well as the monkey wrench of the hated holodeck. According to canon, all three use the same technology (which raises some contradictions for the holodeck).

Today, for Science Fiction Saturday, I want to tie it all together in another look at transporters and replicators!

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2014

2001What a thing to behold: 2014! I found it a bit startling to reach 2010; by now these high numbers seem almost normal. Some born in this millennium are already teenagers and aren’t far from voting age. For those of us born back in the fitties, it can be a little eerie.

When Stanley Kubrick‘s 2001: A Space Odyssey came out in April 1968, I was in seventh grade and already a hard-core science fiction fan. Back then, 2001 seemed so far off that anything was possible. We first walked on the moon just over a year later in July. (My beloved Star Trek had been on the air since September 1966!)

I even remember when George Orwell‘s 1984 seemed very far off!

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