Fans of Doctor Who, at least those without an unreasoning dislike of Jodie Whittaker, may get a kick out of seeing her in the 2011 British alien invasion film Attack the Block. It’s a small rather unregarded film with a box office return of only half its £8 million budget (about $11 million USD at 2021 rates). Since its release it has gotten well-deserved critical praise and won a few international accolades.
I should note that Whittaker is not the lead. At best, she’s a co-star, and perhaps almost more of a major supporting character (she is present for most of the film). The film stars John Boyega, who many will know as Finn from the final Star Wars trilogy.
I highly recommend it for all science fiction movie fans.
I just finished Time Travel: A History (2016) by science historian and author James Gleick. The New York Times Book Review, Anthony Doerr described it as, “A fascinating mash-up of philosophy, literary criticism, physics and cultural observation.” I agree with that description minus the word fascinating. I would have said tedious.
This is not the book’s fault. I’m not saying it’s bad. There was nothing I disagreed with. There were even a few parts I got into. The problem is I found it ambling, rambling, and meandering. It wasn’t incoherent, but it seemed disconnected to me.
Overall I found it easy to put down and hard to pick back up.
If you know me at all, you know I was already a science fiction fan when Star Trek began. (It’s a rare occasion I get in on the ground floor of something.) I adored Kirk and crew. It took some episodes, but I came to love Picard and crew even more. The Trek story still unfolds, but I left that fold around the fifty-year mark. (Or rather, Trek left me.)
More recently (the rebooted) Doctor Who became my favorite SF TV series, but it’s starting to look like it won’t have the staying power that Trek did. I haven’t been as engaged the last many seasons, and the shift to the 13th Doctor hasn’t worked for me.
Currently I’d have to say my favorite SF TV series is The Expanse.
I hadn’t planned to post today, but cool things I want to memoize and share continue to accumulate (it’s worse than having to dust — that I can ignore). I already had one Holy Cow! item paired with a So Cool! item, plus another little piece of beko mochi beauty to share.
Then this morning I read an OMG, Yes!! article about actress Michelle Gomez, and then a really touching piece by musician Rosanne Cash. Lastly (technically firstly, as it was the first item added), I have a cute bit of AI research to make you smile.
So once more unto the breach, dear friends,…
The Doctor is in!
I’ve written before (twice) about how much I love Doctor Who (even more than Star Trek, and that’s saying something). I’ll tell you right now: nothing’s changed; it’s still my favorite TV science fiction show, hands down. I am enjoying the big changes this season: a new The Doctor and a new show runner, Chris Chibnall.
The big change to The Doctor, of course, is the first ever female incarnation, played by Jodie Whittaker. For some this is a bit like a female James Bond, but the idea that Time Lords (slash Ladies) are gender-fluid is canonical. (Statistically speaking, it’s past time The Doctor was female. As the season promos put it: It’s about time!)
In many ways, I find the fan reactions to these changes as interesting as the show itself!
Yesterday I was re-watching Arachnids in the UK, the fourth episode of the latest season of Doctor Who, and a somewhat goofy idea popped into my head about how to respond to the charge that sometimes stories are just ‘too improbable’ to enjoy — or to have happened at all.
That certainly is an accusation that seems to apply in many cases. In order for some story to have happened at all, certain events had to happen just so and in the right order. It’s easy to shake your head and think, “Yeah, right. As if that could actually ever happen.”
For many years I’ve had a generic response to that accusation, but yesterday I realized it can be justified mathematically!
As someone whose high school and college education focused on writing and storytelling (through stage, film, and video), I’ve long been askance at how much culture reveres actors while not paying as much attention to the writers who provide their words or the directors who control much of what they do.
I do not at all mean to suggest actors aren’t also artists who bring important skills to the table. In college, I had to find people willing to act (for free!) in my productions — I couldn’t tell my stories without them — so I’m well acquainted with their importance and skills.
My point is only that the stories we love owe as much, if not more, to the writers and directors who create them in the first place.