Make no mistake here: I am still definitely a fan of HBO’s Westworld. I think it’s pretty darn good television science fiction, but I do recognize that it’s not great TV SF. It is a bit niche, both as SF and as a puzzle box, and this season seems to suffer some poor (or at least odd) thinking along with some apparent style-over-substance decisions.
But I’m still a fan; I’ll be back to watch season three. In 2020. If I’m even still alive. (I’m old enough for that not to be a given, although it never really is.) I’ve seen a lot more negative coverage this season (generally well-deserved, I think), and I’m hoping it is taken to heart and results in a better third season.
In this last Westworld post (for now) I offer some general reflections and observations of the series so far.
The more I reflect on the second season of HBO’s Westworld, the more I have some very serious questions about key aspects of the story. In the first season, I had serious questions about The Maze, which was central to the story. This season’s serious questions, equally story central, seem even more serious.
Primarily, there is the matter of the Peter Abernathy encryption key, which spans both seasons. Secondarily, there are the related matters of The Door and The Flood. And, finally, there is the matter of Ford’s Final Game for William.
I really can’t seem to find the logic behind any of them! They all give me a bad case of the Yeah, Buts!
The second season of the HBO show, Westworld, has answered many of the questions raised in season one. Of course, it’s also raised a whole crop of new questions! And, sadly, that crop seems to contain more WTF questions than last season.
The big WTF in the first season was The Maze, and there were some smaller ones, mostly to do with Ford’s astonishing foresight into what people would do. (Smacks a bit of Hari Seldon’s Psychohistory.) But this season has a number of choices that strike me as working backwards from a cool image or as style over substance.
More important are the actual questions raised, and hopefully there are far more of those. Let’s find out (serious spoilers, obviously)…
I really thought the previous post was the last of this series of (13!) posts looking into the first season of Westworld. I thought I’d covered everything, but the more I thought about Arnold’s Maze, the more confused I became.
Either I’m missing something (which is certainly possible), or there’s something muddled about the whole thing. This could be a case of my over-analyzing things; fiction almost always has flaws, and apparently the show did alter course about halfway through the season (plus, the actor playing Kissy died). But since the name of the season is The Maze, I’m surprised how muddled the core idea of it seems (or maybe I just don’t get it).
In any event, here’s what’s bugging me (as always: Serious Series Spoilers)…
It turned out to be a lot more work than I expected, but I managed to take and write up notes for all ten episodes of Westworld, season one. And I’m really glad I did. Paying that much attention really cleared things up for me; I actually think I understand most of what happened. (Or, at least, I have an understanding! Might not actually jibe with Nolan & Joy.)
And these notes make a nice reference that I may tweak if I find errors or vagueness. Bonus, the notes generated a look into the script Dolores follows and also let me write the Westworld chronological timeline, so I don’t begrudge the work at all.
But now I have questions. As always: Serious Series Spoilers! You’ve been warned! (Repeatedly.)
It’s fun watching the fans try to guess what’s coming next in season two of Westworld. To their credit, they’ve gotten a number of key points right (like Bernard being Arnold), but some of the theories seem far-fetched (like Westworld being on the moon).
Along the lines of the latter, some fans think glimpses of the hosts in modern dress, and in modern city scenes, indicate a visit to “Futureworld” rather than, say, Delos using the hosts in the real world. (We see BernArnold in those scenes, so either they’re before Arnold died or after Ford made Bernard.) But it does look like they might be stealing a plot point from the Futureworld movie!
Anyway, back in season one, here is a go at a chronological account of Westworld starting back 35 years ago (Warning: Serious Series Spoilers)…
These are my notes for Bicameral Mind, episode ten (the finale!) of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one!
The season two premiere dropped last Sunday, and it seems worth the wait! The second season looks to be just as enthralling as the first one. It’s interesting to read the various reviews (which often say as much about the reviewer as they do about the reviewed). Some loved the puzzle-box aspect of season one and miss it in the new season; others are relieved there’s less of that and more action. A few seemed disappointed the show didn’t live up to their personal expectations.
I loved it, and I’m so looking forward to watching the story unfold over the next nine weeks! Meanwhile, the exciting finale of season one—
These are my notes for The Well-Tempered Clavier, episode nine of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one!
These last episodes are so full and complex that even a mere outline makes for a long post! So while this may be bare bones and really sketchy, it’ll still be long!
One very neat thing that’s happened is that, despite all the times I’ve watched the series, it’s only watching carefully and taking notes that has really clarified the storyline for me. I feel that I understand what happened a lot better than I have until now. (Which is good considering we jump into season two tomorrow. Whoo Hoo! The wait is over!)
These are my notes for Trace Decay, episode eight of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one!
The pace is definitely picking up in the later episodes as much of what has been set up is paying off (but much is left still unexplained).
Because the second season premiere is so close, these notes are getting fairly skeletal, but I’m still finding the idea of even an outline useful, so I’m still hanging in there (and even as an outline, this episode made for a long post).
These are my notes for Trompe L’Oeil, episode seven of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one!
Still trying to get these posts done before the season two premiere on Sunday, but it’s not looking good. At least not for a careful look as I’d planned. On the other hand, it’s becoming apparent to me that one could spend a lot more time analyzing each episode and writing about it. These notes posts are longer than my usual limit (about 1500 or so words), and even the longer ones only seem to scratch the surface. Part of what’s working against me here is a bit of despair over doing this series real justice.
But whatever. Even these bare bones notes have been helpful in getting to me really think about the series, so on we go!