Tag Archives: Bernard Lowe

Westworld: S1E7

These are my notes for Trompe L’Oeil, episode six of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one.

Still trying to get these posts done before the season two premiere on Sunday, but it’s not looking good. At least not for a careful look as I’d planned. On the other hand, it’s becoming apparent to me that one could spend a lot more time analyzing each episode and writing about it. These notes posts are longer than my usual limit (about 1500 or so words), and even the longer ones only seem to scratch the surface. Part of what’s working against me here is a bit of despair over doing this series real justice.

But whatever. Even these bare bones notes have been helpful in getting to me really think about the series, so on we go!

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Westworld: S1E6

These are my notes for The Adversary, episode six of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one.

I’m faced with the prospect of rushing through the second half of the season in order to post all these episode notes before the new season airs this Sunday. Watching, thinking about, and writing about, an episode per day doesn’t sound like fun (mostly on account of all the writing), and I have no intention of turning this into work. (And I’m getting tired of writing about Westworld so much.) On the other hand, I do need to at least see the remaining episodes before the new season starts, so I might do these in a far more bare-bones fashion (and then maybe later come back and flesh them out).

I’ll see how it goes. For now, here’s episode six:

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Westworld: S1E5

These are my notes for Contrapasso, episode five of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one.

Unfortunately, the rest of this series of posts may be a bit rushed and, perhaps, more scant than I would like. I’ve waited too long to start this trip through the series; season two starts in just a week! Fitting in the rest of the season one episodes requires doing one per day (with two days to spare). But the later episodes demand as much attention, if not more, as the earlier ones.

On top of all that, either I’ve got a bad Blu-Ray or my player doesn’t like all the back and forth and freeze-framing. The best scene of the episode wasn’t watchable…

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Westworld: S1E4

These are my notes for Dissonance Theory, episode four of Westworld, season one. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one (they won’t make sense, anyway)!

Several plot threads are in motion now: The MiB is pursuing the maze; William and Logan are having an adventure (a Dolores just joined them); Ford is up to… something (with Bernard’s help); Arnold and a Dolores are chatting; Elsie is worried about — and looking into — the hosts; Maeve is going off the rails; so is another Dolores; and Theresa has corporate concerns.

Plus there’s Lee, Teddy, Hector and Armistice, Lawrence (El Lazo), Stubbs, various others (and we haven’t even met Charlotte Hale, yet).

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Westworld: S1E3

These are my notes for episode three, season one, of Westworld. As with all these “notes” posts: Serious Series Spoilers! Do not read unless you’ve seen season one!

The first two episodes (The Original and Chestnut) introduced the main characters — the Delos park personnel (led by Ford), various hosts (most importantly Dolores and Maeve), and a few key guests (the Man in Black and William White-hat). Those episodes also introduced the idea that something weird is happening with the hosts, as well as the idea that Delos is up to something more than just an entertainment park.

Now, in The Stray, the story starts to take off.

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Westworld: S1E2

Here are my notes for episode two, season one, of Westworld. As with the previous notes, these are longer posts than I usually allow, but they’re intended as something useful for me, so they are what they are.

The first episode was linear, seeming to cover five days while it introduced the idea of the host loops, the main Delos people, and the Man in Black. The second episode (along with those after) isn’t linear at all — yet it is deliberately constructed to appear linear (especially at key points). This episode also introduces a key idea: that of suffering.

Note that in all these posts: Serious Series Spoilers!

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Westworld: S1E1

To prepare for season two of HBO’s Westworld (by husband and wife team Jonathan Nolan and Lisa Joy), I’m very thoroughly watching the first season again… and taking careful notes!

By “thoroughly” I mean that I plan to watch each episode multiple times. I’ve just watched the first episode three times (twice in a row last night, once the night before), and I plan to watch it again so my buddy can see how absolutely stunning it looks on my new LG 65″ OLED TV in 4K HDR off the Blu-Rays I bought. (And it is truly stunning that way! I gasped when I first started watching.)

I’m transcribing my notes from last night here, in part, because my handwriting is so bad I just have to type them up, but also to share them for whatever they may be worth. Obviously: Serious Series Spoilers!

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Westworld (mega-spoilers!)

westworldThe previous posts avoided spoilers and talked about HBO’s Westworld in general terms of its themes and characters — stuff that is apparent just from the trailers and basic setup. This post isn’t like that! Do not read this post unless you’ve seen all of season one!

Or unless you really like spoilers or just don’t care about the series. But if you do, you should trust me on this: You do not want this spoiled! It may even be all the better if you avoid any interweb discussion … the fans really did figure out some of the secrets before their big reveal. (On the other hand, the show’s creators have made it clear the truth was always in plain view. And so it was.)

Here are my questions and observations about the last episode and the season as a whole. I think we all have a few questions…

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Westworld (mini-spoilers)

westworldIn the previous post I wrote about some of the general themes I saw in HBO’s Westworld. Such big picture topics are inherent in the basic description of the series — intelligent robots used as playthings — and don’t require spoiling plot points or character revelations. Everything I wrote about in the last post is part of the general context of the show.

In this post I want to look more closely at things that struck me in particular, but it requires exposing certain aspects of character or implementation that could count as spoilers if one is very strictly trying to avoid knowing anything about the show.

But if you have some idea about what’s going on, maybe just from trailers, this post shouldn’t spoil anything for you. I won’t give away any of the big secrets or reveals.

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Westworld (no spoilers!)

westworldWay back in 1958, science fiction author and critic Theodore Sturgeon coined the term Sturgeon’s Revelation. Which is that “90% of film, literature, consumer goods, etc. is crap.” This became known as Sturgeon’s Law while Theodore’s actual law (from a 1956 story) — that “nothing is always absolutely so” — is forgotten. (Philosopher Daniel Dennett expanded the Law to say that 90% of everything is crap!)

I’ve always found this applies especially to science fiction TV. And in this Anno Stella Bella era, there is a lot of SF TV, so naturally there is a lot of crap. (Honestly, I don’t even pay attention to the SyFy channel anymore.)

Happily: HBO’s Westworld … not crap! In fact, it’s a gem that offers many facets worthy of (non-spoiler) thought and discussion…

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