Because they are intended for mass consumption, there are few modern science fiction movies or TV shows that really hit the mark for me. Sturgeon’s famous statement about everything being 90% crap seems even more true with mass media. It’s no less true of science fiction books, but there are so many more of those that it’s easier to find good ones. The trick is finding good authors.
Neal Stephenson is one author that usually delivers for me. Ben Bova is another good one, although until recently it was decades since I read his work. Alastair Reynolds, compared to them, is a new entry on the scene. All three write hard SF — my favored flavor of science fiction.
Unfortunately, the last Reynolds books I read was a disappointment.
Neal Stephenson, like Greg Egan, is a hard science fiction author who never fails to delight me with something new and tasty. Both Stephenson and Egan seem able to leave footprints in otherwise well-trodden ground. Stephenson, in particular, often makes me LOL.
That’s not an acronym I use very often, but it seems especially appropriate here given this post is about The Rise and Fall of D.O.D.O., by Neal Stephenson and Nicole Galland. The book has so many tongue-in-cheek military acronyms (DODO, DTAP, DEDE, MUON, etc) that it has a glossary at the back.
The story concerns parallel worlds, wave-function collapse, and witches.
I finished Fall: or, Dodge in Hell, the latest novel from Neal Stephenson, and I’m conflicted between parts I found fascinating and thoughtful and parts I found tedious and unsatisfying. This division almost exactly follows the division of the story itself into real and virtual worlds. I liked the former, but the latter not so much.
Unfortunately, at least the last third of the book involves a Medieval fantasy quest that takes place in the virtual reality. The early parts of the story in the VR are fairly interesting, but the quest really left me cold, and I found myself skimming pages.
I give it a positive rating, but it’s my least-liked Stephenson novel.
I’ve been a fan of Neal Stephenson since Snow Crash (1992), his third novel. I’ve read much of his work — the big exception being The Baroque Cycle, descriptions of which haven’t captured my interest yet. I like his writing enough that I’ll probably enjoy them if I ever take the plunge.
Stephenson writes pretty hard SF, which I love, and he explores such interesting ideas that I’m generally quite enthralled by what some see as fictionalized physics books. The thing is, I’d enjoy reading those physics books, so having it come coated in any kind of frosting is a win in my (pardon the pun) book.
I’ve just gotten started on his most recent novel, Fall; or, Dodge in Hell.
Judy, Judy, Judy!
I’ve been a fan of science fiction since the early 1960s. I was already an avid fan and ready audience for Lost in Space (1966–68; Judy was one of my earliest childhood crushes), It’s About Time (1966–67), and I was glued to the TV set enthralled when Kirk, Spock, and the rest, first boldly went in 1966.
By then I’d already consumed all I could of Asimov, Clarke, Heinlein, along with Verne, Wells, and Burroughs (I didn’t discover Tolkien or Howard until high school a few years later).
Movies like The Day the Earth Stood Still (1951), 20,000 Leagues Under the Sea (1954), and Forbidden Planet (1956), all had me avid for 2001: A Space Odyssey (1968).
It’s been a whole lot of years, and a whole lot of science fiction, is my point.
Fair Warning: Next week I have some political and social foaming at the mouth to do over current events and modern society, but that can wait. The weather recently has been too nice for my hot-collar wardrobe. The swelter is supposed to return next week; the forecast is for serious ranting with scattered raving.
For the weekend, for Science Fiction Saturday in particular, for all my disdain of movie and TV science fiction (especially TV SF, most of which does nothing for me), literary science fiction is very alive and quite well!
Recently I’ve been enjoying three authors in particular…