MWI: Questions, part 1

Back in January, in a post about unanswered questions in physics, I included the Many Worlds Interpretation of Quantum Mechanics (the MWI of QM). I wish I hadn’t. Including it, and a few other more metaphysical topics, took space away from the physical topics.

I did it because I’ve had notes for an MWI: Questions post for a long time, but shoehorning it in like that was a mistake. Ever since, I’ve wanted to return and give it the attention of a full post. I’m reminded about it constantly; the concept of “many worlds” has become such a part of our culture that I encounter it frequently in fiction and in fact (and in other blog posts).

Its appeal is based on a simplicity, but to me it doesn’t seem at all that simple.

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Ten Years Blog

So, ten years. Over a thousand posts (1,142). Over a million words (1,381,652). Many different topics, from science fiction to science physics — those two representing both a key duality and a crucial commonality in my worldview.

What they have in common is the science — a fundamental aspect of my life almost from day one (My first two words were “star” and “light” — a prescience that both amazes and amuses me.) The duality is between fiction and physics — more generally between art and the aforementioned science. While this aspect goes back only to high school, it has become just as fundamental. The Yin-Yang of physics and humanity.

Throw in a love of books, TV shows, and movies, plus a fascination with mathematics, computers, and human consciousness, and this blog has had a lot of ground to cover. Arguably too much.

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Knowing Other Minds

I’ve got stuff on my mind!

My post last month about Dr. Gregory Berns and his studies of animal minds ran long because I also discussed Thomas Nagel and his infamous paper. Dr Berns referenced an aspect of that paper many times. It seemed like a bone of contention, and I wanted to explore it, so I needed to include details about Nagel’s paper.

The point is, at the end of the post, there’s a segue from the “Sebald Gap” between humans and animals to the idea we can never really even understand another human (let alone an animal). My notes for the post included more discussion about that, but the post ran long so I only mentioned it.

It’s taken a while to circle back to it, but better late than never?

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Friday Notes (Jun 25, 2021)

It’s time for another edition of Friday Notes, my chance to whittle away a bit more at my collection of half-baked notions and blog post ideas. I recently noticed yet another notebook I’d forgotten about, so the pile actually got bigger this week rather than smaller. I’m starting to feel like Sisyphus.

The real problem is that, when you come down to it, it’s hopeless. I’m always going to be coming up with more ideas than I can write about, so the pile is always going to grow. What I need is the AI technology to clone my brain so I could delegate and distribute. Write in parallel!

But for now, all I can do is whittle away.

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“For the Third Time…”

First there was On the Count of Three, which introduced the fundamental notion of triples. There was actually a prequel of sorts years before — very appropriately a trifecta challenge — about the actual Count of Three and his rabbit fur cloak).

Then came the sequel, Three-peat, which explored the world of triples in more detail. That world spans the gamut from witches to transistors to music theory. (Triples cover a lot of ground!)

Now, at last, the exciting final post of the trilogy! Will the three heroes finally find the three keys, defeat the three dragons, and save the Three Kingdoms?

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Barris-ish AF

Last time on TV Tuesday, I ran out of time to write about a collection of sitcoms I’ve been watching that are all produced by, sometimes written or directed by, and in one case even starring: Kenya Barris.

His first creation, the family sitcom Black-ish, is probably the most well-known. That show has a spin-off, Grown-ish, as well as a prequel, Mixed-ish. He also has a family sitcom on Netflix, #blackAF, in which he stars as a fictional version of himself.

I really like these shows, in part because they’re pretty good — fun and funny with good characters — but also because I think it’s so important for us white folks to sometimes just STFU and listen to Black voices. Most of these shows make deliberate attempts to reach out and share something important.

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Nolan and Nolan

This has the potential to be short since it doesn’t feel that I have that much to say, but I did want to record a few thoughts. I have neither rant nor rave — just some heavy disappointment in one case. In the other case, for me, it’s more a sense of, “Well, what did you expect from a time-travel movie? Time travel is utterly absurd and inherently contradictory.”

The post’s title may have clued you in. This post is about Tenet (2020), the most recent Christopher Nolan movie, plus the most recent effort by his brother, Jonathan Nolan (and wife Lisa Joy), Westworld, season three (also 2020). I’m a little late to the party seeing both of these, but I was so disappointed in season two of Westworld, that I didn’t much care about season three (and nothing I heard encouraged me).

Last night (and into this morning) I binged on all that Nolan.

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And Four Movies

This post is a follow up to the one yesterday about TV shows I’ve been watching recently, but this one is about recent movies. Actually, there’s a dessert dish I snuck in to make it a four-course meal — I haven’t seen Hardcore Henry in a while, but it’s so unique and tasty I had to include it.

I have two entrées today, one an Amazon Prime original modeled after the great (but as it turned out not inimitable) Groundhog Day. The other, which I also saw on Prime, is an interesting and wry murder mystery with a great cast and an interesting twist on the whodunnit murder mystery.

The side dish is a Netflix animated comedy about the robot apocalypse.

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Tons of TV

For me, one of the challenges of writing a blog post is coming up with a title. A scan of my Index shows I like short and punchy (with a dash of clever if I can manage it), and I’m not above using puns (in fact, quite love them). I wanted to call this Channel Surfing, but I’ve already used that title. (In retrospect, I should have called that one TV Triple. If only I’d known.)

Earlier this year I read a lot (see: this, this, this, or this). Lately I’m watching more TV, trying to whittle away at various watch lists. (For a retired guy, I have a lot of TODO lists. Lists on multiple ebook platforms, lists on multiple video streaming sites, household lists, personal lists,… I even have a list of local breweries to try.)

Here’s a list of what I’ve been watching lately. And a cutaway about cutaways.

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Stowaway

Last Saturday, on Netflix, I watched Stowaway (2021) an engaging and compelling hard science fiction film by a new filmmaker, Joe Penna. The story, which has only four characters, is reminiscent of Gravity (2013) or Apollo 13 (1995), not only in how it involves a disaster aboard a small spacecraft, but in how it tries to respect physics as much as possible. (Apollo 13, of course, was a real story which made it a lot easier.)

It is, on both counts, also similar to The Martian (2015), in which it bears a third similarity — a connection to Mars. They differ, however, in that The Martian is about a guy trying to get away from Mars whereas Stowaway is about three people trying to get to Mars.

The disaster for them is the fourth person, the stowaway.

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