I’ve come to realize that, when it comes to the Many Worlds Interpretation (MWI) of quantum physics, there is at least one aspect of it that’s poorly understood. Since it’s an aspect that even proponents of MWI recognize as an issue, I thought I’d take a stab at explaining it. (If nothing else, I’ll have a long reply I can link to in the future.)
The issue in question involves what MWI does to probability. Essentially, our view of rare events — improbable events — is that they happen rarely, as we’d expect. Flip a fair coin 100 times; we expect to get heads roughly 50% of the time.
But under MWI, someone always gets 100 heads in a row.
I was surprised to discover I’ve never posted about the Many Worlds Interpretation (MWI) of quantum physics — I would have sworn I had. I’ve mentioned it a few times, and I know I’ve discussed it in comment sections, but it seems I never tackled the subject explicitly for the record.
It’s been on my mind lately because others have talked about it. Sean Carroll’s book promoting it generated a wave of discussion. The final push for me was Jim Baggott’s Farewell to Reality, which consigns MWI to the “fairy tale physics” heap.
Since I quite agree, this seems a good followup to yesterday’s post.
This post, and several that follow, veer into fairly trivial territory. Which, I suppose, is relative. To some, all my posts may be trivial, whereas to me none of them are. At least not totally, although some are less con carne than others. As it turns out, this week I’m serving salads.
More accurately, cleaning out my closet or, even more accurately, collection of — not even half, but — lightly baked post ideas. I’m one who jots down thoughts in case they grow into something interesting. Some do, but others never grow much beyond the seed.
Case in point: the difference, if any, between aspects and properties.
It’s been a long time since I’ve written a Sci-Fi Saturday post. (I didn’t post at all in 2017, so it’s been a long time since I’ve written a lot of things.) But last night I watched Mr. Nobody (2009), a slightly surreal science fiction film that I found hugely engaging and affecting, and it inspired me to write about it.
The truth is that Mr. Nobody isn’t actually surrealism — it does have a concrete narrative, but it’s a jumbled, imaginary, and fantastic one. That can sometimes be the case with really good science fiction. A common trick SF authors play is keeping you guessing until they reveal their mysteries.
Mr. Nobody isn’t particularly mysterious, but it does require that you pay close attention!