Over the last nine posts I’ve been pondering the topic of Who Can Play Who when it comes to adaptations of existing works. To wrap things up, and because ten is a magic number to us humans, it seems reasonable to try to boil it all down to something coherent. If that’s even possible.
I find myself conflicted sometimes between what I’ll call a stage play sensibility that allows huge latitude in casting actors versus my sensibilities about live-action adaptations of well-established existing properties.
I think that changes the equation.