I’ll end these posts about the configuration space metaphor where I began: in a big cube. I started the series in the Neapolitan room, a three-dimensional space where we could indicate our feelings about vanilla, chocolate, and strawberry ice cream with a single marker. From there we visited the Baskin-Robbins 31 Flavors space (which is tasty but beyond our ability to visualize).
Then I focused on spaces with only two-dimensions (which are easy to visualize). These are probably the best use of the metaphor; they turn a tug-of-war into a sensible place to stand. They also strongly differentiate “don’t care” from “care about both.”
Now let’s see what we can do with three dimensions…
In Monday’s post I started writing about light and color. I described how white light can be created by adding three primary colors (red, green, blue), and how mixing any two result in secondary colors (yellow, cyan, magenta).
I went on to describe how subtracting two of the secondaries gives you the primary color they have in common, and how subtracting all three filters out all color, giving you black. The secondary combinations are the negative of the primary ones (e.g. blue is “anti-yellow”). I also touched on how color is the “pitch” (frequency) of light and that X-rays, radio waves, microwaves and gamma rays are all forms of light.
Today I continue the topic by exploring some details and nuances.
This is a post I began quite some time ago thinking it would be a quick and easy one, since it concerns a topic I know very well.
But — perhaps due to my own inability to be brief — it turned out to be more involved than expected. Maybe I just have a hard time leaving out all the details. In any event, I set it aside until I had more time.
Then I had an idea for making this post a bit more fun (at least for me). The problem was: I needed to build a theatre! You see, this post is about color and light.