One of the ways I’ve coped during this insanest of years is by escaping into fiction, and it’s hard to beat the sheer escapism of a good murder mystery. Science fiction, my other favorite escapist drug, particularly the good stuff, is often parable, prophecy, or pointed social examination, but a murder mystery is typically just a rippin’ good yarn.
The older classics especially, for instance Agatha Christie’s Hercule Poirot and Rex Stout’s Nero Wolfe (two favorites of mine), when you come down to it, are utterly preposterous. Fairy tales staring a fussy Belgian with his mustaches or a corpulent epicurean who never leaves his house, both brilliant and eccentric, both prone to that final scene, everyone gathered, for the denouement, “J’accuse!”
Tess Gerritsen’s Rizzoli & Isles series is a very different kind of yarn.