Call me weird, but I have always liked films about assassins. That fascination goes back to Charles Bronson in The Mechanic (1972), Edward Fox in The Day of the Jackal (1973) and Clint Eastwood in The Eiger Sanction (1975).
I’m clearly not the only one fascinated by the topic; there are a surprising number of such films. From the outstanding Léon: The Professional (1994, Jean Reno and Natalie Portman’s film debut) and Grosse Pointe Blank (1997, John Cusack and Minnie Driver) to the sheer goofy and fun Assassins (Sylvester Stallone, Antonio Banderas, Julianne Moore) and Kill Bill (Uma Thurman).
Something about these movies fascinates us (well, some of us anyway).