Tag Archives: adaptations

Sherlock Holmes Anime

I discovered, and become a huge fan of, Sherlock Holmes at an early age — somewhere in grade school. Too long ago to remember, so it feels like I’ve “always” been a fan. (Conversely, I can remember watching the first episode of Star Trek in 1966, so reading A.C. Doyle for the first time must be many years earlier.)

Per Doyle’s stories, Holmes has a well-defined center, but as adapted, extended, reimaged, even satirized, by others, his boundaries are extremely fuzzy [see The Real Sherlock Holmes].

There is even a Japanese anime version of Holmes: Case File nº221: Kabukicho.

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A Big Crapfest

Holy Hercules! I have a new standard for awful storytelling. My memory is mercifully short, but last night I suffered through the worst adaptation of a good novel that I can remember. As a story, it was utter trash, but as an adaptation of the Agatha Christie novel, The ABC Murders, I need stronger words than “appalling abomination” or “total travesty” (“grim perversion” is a good start). It was breathtaking in how it managed to corrupt every single aspect of the novel.

From start to finish, it was the diametric opposite of the original and a revolting cruel mockery of Christie’s beloved Hercule Poirot. The writing, the directing, the cinematography, the casting, the sets — each hawked a giant loogy in the face of source material.

Even casting John Malkovich as Poirot was a misstep.

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The Expanse: Season 4

My last post was about my disappointment in the science fiction novel series, The Expanse, starting with book four. As it turns out, for me, that’s just the start of my disengagement — it goes seriously downhill from there. To be clear I’m speaking strictly in terms of my personal taste. As the saying goes, ‘One person’s mead is another person’s poison’ (not that I’m a fan of mead).

Given the steep downward trend, book four seems better in comparison. While I like it much less than the first three, I like it much more than what follows. It has some good protomolecule bits, and frontier colony stories are pretty standard science fiction fare.

But I’m particularly struck by what the TV version changed and added.

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Preacher: Adaptation Fail!

Loving art is not the same as loving your children: with art, you’re allowed to have favorites. Within any beloved medium or genre, there are always favorites. Of interest here is a long-time favorite of mine, the late-1990s graphic novel Preacher, written by Garth Ennis and drawn by Steve Dillon. It’s a violent, gory, wonderfully original story involving: a southern preacher, an Irish vampire, the Saint of Killers, the offspring of an angel and a demon, and God himself (not to mention Tulip, the Grail organization, and a, pardon the expression, “host” others).

When a favorite literary work (such as Preacher) is adapted for film or TV one has a sense of both anticipation and trepidation. On the one hand, seeing the work come to life can be wonderful. But on the other, it can be awful if (you feel) the adaptation doesn’t honor the source.

To me, the AMC adaptation of Preacher is the latter: awfully awful.

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A Christmas Carol

Scrooge and MarleyMost of us have traditional ways of celebrating or observing the re-occurring events in our lives. An anniversary might call for dinner at a certain restaurant. A promotion or sale might call for buying a round of drinks. The great life milestones—births, graduations, weddings, retirements, deaths—all come heavily freighted with traditional behaviors.

For me, an important tradition at Christmas time is watching—and reading—the Charles Dickens classic, A Christmas Carol! I think it is one of the most engaging, endearing, wonderful and important stories ever. It is a story of redemption and re-discovery of lost joy. And it is an affirmation that how we choose to live our lives matters.

Plus it has ghosts!

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