Category Archives: TV Tuesday

TV Tuesday 5/10/22

One of many benefits gained when I cut the cable and subscribed to Netflix and Hulu was access to a very large catalog of Japanese anime. Until then I was largely at the mercy of the Cartoon Network cable channel and rented videos. While I’ve so far barely scratched the surface of the Netflix catalog, I have been steadily working my way through Hulu’s.

Recently I’ve enjoyed two there: Is It Wrong to Try to Pick Up Girls in a Dungeon? and xxxHolic. The former is a fun medieval fantasy adventure series (with expected twists and unexpected depth). Saying the latter is about a beautiful hard-drinking witch who grants wishes is accurate but misses the point.

It’s a lot more interesting than that.

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Vox Machina (et alia)

Recently I watched the first season (twelve episodes) of a new Amazon Prime “original” series, The Legend of Vox Machina. I say “original” because Amazon didn’t originate it and, according to Wikipedia, the first ten episodes were funded by a Kickstarter campaign, so it seems Amazon didn’t really even pay for it.

On the other hand, by acquiring the rights and putting it on their streaming service, they allowed this animated series to be decidedly adult (which, in the USA, means over-the-top violence and gore with some bits of coy T&A because Americans wallow in blood and are scared to death of (yet obsessed with) sex… which is a weird definition of “adult” given it’s what I remember about being 12 years old).

That said, it has some good bits and nothing that really pissed me off.

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Sherlock Holmes Anime

I discovered, and become a huge fan of, Sherlock Holmes at an early age — somewhere in grade school. Too long ago to remember, so it feels like I’ve “always” been a fan. (Conversely, I can remember watching the first episode of Star Trek in 1966, so reading A.C. Doyle for the first time must be many years earlier.)

Per Doyle’s stories, Holmes has a well-defined center, but as adapted, extended, reimaged, even satirized, by others, his boundaries are extremely fuzzy [see The Real Sherlock Holmes].

There is even a Japanese anime version of Holmes: Case File nº221: Kabukicho.

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Gate, Samurai Champloo, Outlaw Star

For me, Japanese anime seems a gift that keeps on giving. Perhaps a better way to put it is that it’s a well that hasn’t yet come close to running dry for me. For one, there is a ton of Japanese anime and even Sturgeon’s Law gives good results on such a big catalog.

There is also that it seems, on average, more nuanced and perceptive than modern Western storytelling. Or it could be a combination of over-familiarity with our dregs and the same cherry-picking selectiveness that sometimes makes the BBC seem superior in contrast (it’s so not).

In any event, here are four I enjoyed recently and can recommend.

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TV: Old, New & Anime

For broadcast networks that still observe such archaic traditions, the new “season” has begun doling out episodes. Over the years I’ve watched fewer network shows, although this year I’ve actually added two new ones (at least temporarily). I’m still watching the old three… and still questioning why I do.

It would be easy to dump the three old giant dinosaurs, CBS, NBC, and ABC. I haven’t watched the smaller ones (TNT, USA, etc) in years. Other than baseball, regularly scheduled TV broadcasts are decades in my past. I’m solidly about streaming these days — Netflix, Hulu, Prime. I’m considering adding Apple TV and HBO Max.

I’ve definitely taken to binge watching!

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The Morningstar Sets

Last weekend I watched the final episodes of Lucifer, a show I’ve really enjoyed since it began in 2016. It’s based on a DC comic book character created by Neil Gaiman, and I’ve always liked his work, so it’s not surprising I’ve enjoyed this series. On top of that, it blends a bunch of my favorite story genres, plus it gets right one of the most important aspects for such fantastic stories: it doesn’t take itself too seriously.

In honor of the show ending I thought I’d also mention a couple other favorite shows I’ve been re-watching lately, Elementary and Boston Legal. I’ve always ranked the latter as a favorite favorite, but seeing the former again I’m experiencing the love all over again.

Got a couple of Japanese anime stories to mention, as well.

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Babylon (Anime)

History, location, and religion aside, the Wikipedia disambiguation page for “Babylon has 52 entries under “Arts and entertainment” — 26 of which are songs (including one by David Gray that I rather like). Two entries, a novel series and an anime series (which I binged last night), link to the same page because they refer to the same very interesting (very dark) story.

By interesting (and dark) I mean it’s about good, evil, and whether the right to suicide is a good thing. The battles here are mainly intellectual and spiritual. A key point for the characters is the question: what is good; what is evil?

I also recently watched Jupiter’s Legacy on Netflix (Meh!), and I want to offer props to the most recent episode of Grown-ish, which I thought was compelling, well-done, and worth seeing.

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Barris-ish AF

Last time on TV Tuesday, I ran out of time to write about a collection of sitcoms I’ve been watching that are all produced by, sometimes written or directed by, and in one case even starring: Kenya Barris.

His first creation, the family sitcom Black-ish, is probably the most well-known. That show has a spin-off, Grown-ish, as well as a prequel, Mixed-ish. He also has a family sitcom on Netflix, #blackAF, in which he stars as a fictional version of himself.

I really like these shows, in part because they’re pretty good — fun and funny with good characters — but also because I think it’s so important for us white folks to sometimes just STFU and listen to Black voices. Most of these shows make deliberate attempts to reach out and share something important.

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Tons of TV

For me, one of the challenges of writing a blog post is coming up with a title. A scan of my Index shows I like short and punchy (with a dash of clever if I can manage it), and I’m not above using puns (in fact, quite love them). I wanted to call this Channel Surfing, but I’ve already used that title. (In retrospect, I should have called that one TV Triple. If only I’d known.)

Earlier this year I read a lot (see: this, this, this, or this). Lately I’m watching more TV, trying to whittle away at various watch lists. (For a retired guy, I have a lot of TODO lists. Lists on multiple ebook platforms, lists on multiple video streaming sites, household lists, personal lists,… I even have a list of local breweries to try.)

Here’s a list of what I’ve been watching lately. And a cutaway about cutaways.

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A Big Crapfest

Holy Hercules! I have a new standard for awful storytelling. My memory is mercifully short, but last night I suffered through the worst adaptation of a good novel that I can remember. As a story, it was utter trash, but as an adaptation of the Agatha Christie novel, The ABC Murders, I need stronger words than “appalling abomination” or “total travesty” (“grim perversion” is a good start). It was breathtaking in how it managed to corrupt every single aspect of the novel.

From start to finish, it was the diametric opposite of the original and a revolting cruel mockery of Christie’s beloved Hercule Poirot. The writing, the directing, the cinematography, the casting, the sets — each hawked a giant loogy in the face of source material.

Even casting John Malkovich as Poirot was a misstep.

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