I recently had the pleasure of re-watching the 1979 Hal Ashby classic, Being There. It stars an aging Peter Sellers and was the last film of his released during his lifetime. If you enjoy thoughtful stories with deep currents under their surface, this is a must-see, a best-of-breed. The film was critically acclaimed, and Sellers and the screenplay rightfully won a number of awards.
A core motif of the film is mistaken identity with hints of The Emperor’s New Clothes contrasted with our reaction to authenticity. It’s also a political satire and a look at the ever-growing relationship we have with television.
That’s a lot to bite off, but it does it almost flawlessly!
I mentioned Stanley Kubrick‘s 2001: A Space Odyssey recently. It’s actually one of my favorite films, although by “favorite” I mean it makes my Top 25 Best Films list (or it would if I ever made one). I consider it a major landmark in the cinema landscape.
I’m not sure it makes my Top 25 Favorite Films list, but that’s only because there are so many others I love for reasons beyond their mere quality. It would probably make the Top 50 list, and I’m sure it’s in my Top 100. Some find it opaque or pointless, but to me it’s a visual tone poem that’s as beautiful as it is technically accomplished.
When I say that last part, people sometimes ask me what a visual tone poem is.