Last night I watched — for the second time this week — Jay and Silent Bob Reboot (2019), which is the latest episode of a saga polymath auteur Kevin Smith has been telling since 1994 with his first film, Clerks. The arc of that tale contains one of my very favorite movies, Dogma (1999), wherein we learn that God looks exactly like Alanis Morissette.
If you’ve never heard of Jay and (his “hetero life-mate”) Silent Bob, you’ve missed a minor cultural phenomenon. Clerks is a cinematic landmark on par with Reservoir Dogs and is preserved in the Library of Congress as “culturally, historically, or aesthetically significant.” In my book, it’s all three.
I’ve been waiting well over a decade to see these guys again!
Call me weird, but I have always liked films about assassins. That fascination goes back to Charles Bronson in 
Logos con carne 