Category Archives: Writing
Roseanne Barr is still generating the occasional headline with her antics in reaction to the cancellation of her ABC show, so I thought that, rather than just delete this post (which has been sitting in my Drafts folder), I’d set it free to roam the web. “Better out than in,” I believe the saying goes (and, yes, I’m well aware of what that then compares this post to; I stand by that comparison).
One thing I found interesting about it all was the contrast between Barr’s transgression and one made by Samantha Bee on her TBS show. There were some similarities in that both involved personal insults made by popular entertainment figures from their chosen platforms. There are also differences in content, as well as in how Barr and Bee handled themselves after.
Currently we’re in a very reactive, very polarized environment, and the Barr and Bee fracas put it all on mini-display.
Lately I’ve been reading about compatibilism with regard to free will. While I’ve considered free will before, especially in the context of determinism, I’ve never explored compatibilism, and I decided it was time I got around to checking it out.
What triggered my renewed interest was, firstly, the movie Arrival (and the short story on which it’s based), and secondly, the HBO series, Westworld. Both have thoughtful science fiction with themes concerning free will (or its lack).
The more I reflect on the second season of HBO’s Westworld, the more I have some very serious questions about key aspects of the story. In the first season, I had serious questions about The Maze, which was central to the story. This season’s serious questions, equally story central, seem even more serious.
Primarily, there is the matter of the Peter Abernathy encryption key, which spans both seasons. Secondarily, there are the related matters of The Door and The Flood. And, finally, there is the matter of Ford’s Final Game for William.
I really can’t seem to find the logic behind any of them! They all give me a bad case of the Yeah, Buts!